I have such a hard time remembering hisw to spell Loovus Dzevavor. Thankfully, Google autocomplete finishes it for me. I had a hard time, too, choosing just one of the delightful outfits from the Fall Winter Collection that was released for Penumbra Fashion Week. You can take a peek at a few others on the Loovus web site. I chose the wrap-up top and skirt because I love the inset triangles and how they highlight the curves of my hip. It’s a single mesh piece, but it feel like separates. There are two other versions of this outfit at Penumbra with the same top but different color skirts – brilliant and bold. Continue reading
Trinity Yazimoto of Petit Chat is doing something intriguing with her textiles in her Fashion Week collection. She is texturing her clothing with fabrics created from Second Life® photos that she took. In Sweet Mnemosyne, the outfit I am wearing, she using a picture of a woman in a giant bird cage in a field of flowers. I am excited to see someone using Second Life to create clothing textures as it is something new that I have not seen before.
Dave Loggins wrote “Please come to Boston” which opens with a plea to his love to travel to Boston in the springtime. She refuses, telling him to come home to her. It is a lovely ballad of frustrated love between a rambling man and a homebody. Of course, I think his timing is wrong. He should have asked her to Denver in the spring and to Boston in the fall, not the other way around. Boston and its environs are so beautiful in the fall. And then she would could have worn wonderfully classic sweaters like this argyle from Gizza aptly names Boston. There is also a coordinating skirt and collar and the outfit comes in many styles from this classic argyle to stylized baroque a la McQueen.
Mercedes Benz Fashion Week ended Thursday – with more fabulous Spring and Summer 2015 collections than you can imagine. They are all available for viewing at MBFW online. However, my favorite place to see the collections is New York magazine.
Penumbra Fashion Week begins today with many runway shows everyday throughout the week and with forty-three designers, there’s a lot of fashions walking the runways. Second Life® has an immediacy that we do not have in our first lives, so Penumbra Fashion Week features Autumn/Winter 2014 collections.
Now there is a reason I love Second Life Fashion Week. It always produces something new and exciting. Most of the time designers create a few items at a time for a weekly or monthly release schedule. They might release one to five items for an event. There is nothing wrong with this and it is great fun to see how designers take an event theme and interpret it in myriad ways as happens each month at Collabor88.
However, for Fashion Week, they are asked to produce a collection – several pieces that should reflect various forms but with a cohesive theme. This makes them think about design differently – about how elements work together, how shapes can be transformed from one outfit to the next. This different approach can develop into fantastical avant garde pieces, amazing show stopping gowns and really exciting invocations.
There is something about making a gown that you know is going to walk down a runway in front of an audience that I think just gets those juices flowing – so I always am eager to see what folks produce and the stories their fashions tell.
Close your eyes, close the door
You don’t have to worry anymore
I’ll be your baby tonight
Shut the light, shut the shade
You don’t have to be afraid
I’ll be your baby tonight
My outdoor decor is pretty limited, just a few shrubs and bushes from We’re Closed, a couple trees and the gorgeous deck from Lark that was released at The Liaison Collaborative a few month’s back.
The Old Astronomer is not a very good poem, but it does end well. Stars were on my mind thanks to the adorable Lootia shirts from Somnia for My Slink Obsession. Sanura Snowpaw of Somnia may have my head for how I am wearing it though. The shirts are actually long-sleeved, but I chose to wear them on my Slink Physique and then opted to not apply the sleeves for a tank top instead. A surprise benefit to wearing appliers – or an unintended consequence if you don’t like it, I suppose.
I wore the top with a grey denim skirt from Mai Bilavio who is also a creator for Vive9. While I was a My Slink Obsession, I also found some great nails from Licked & Painted and Adore & Abhor. I tag all my pictures on Flickr with the store names. If it’s more than one word, I have to put quotes around the store name. That makes me wish for more one word store names.
Versus Magazine did a lovely tribute to Squinternet Larnia that was released on the 4th, the one-year anniversary of her death. Tania Tebaldi who wrote and managed Squinternet’s blog for her wrote an essay that showed a different perspective on Squinternet than the one I knew. That’s one of the reasons people come together to mourn their loved ones – because we all know people through different lenses and in sharing our grief, we all get a fuller, rounder perception of the person. Continue reading
There’s only a few designers with the confidence in their design aesthetic and creative skills to resist the tides of change while simultaneously surfing the waves. Monica Outlander is one of those artists. Her new MiaMai Black Label collection is the perfect exemplar of that duality of leading and trailing edge design.
What do I mean by that? Well, she is using appliers for Slink Mesh attachments to enhance her clothing. Meanwhile, she provides system layers for people who use the default avatar. She is using mesh in many creative ways. Meanwhile, she will use flexi-prims when they suit the design better. It is that flexibility that leads her to use whatever method best suits the design – not just the newest method, that shows confidence and commitment to her own vision.
The move is complete, the bags and boxes unpacked and I have settled into a chair to take a last look before crawling into bed.
The nice thing about moving in Second Life is that one does not have to look the part. I am wearing a mini-dress from 1992 that is the ne plus ultra of hot, sexy modernity. It’s revealing, edgy and definitely “designed” but not at all over-designed. It comes in a solid beige, a solid black or this print – and all can be found at The Dressing Room.