Tag Archives: Kiana Jarman

Second Life Photos: What I Like #13

Station Approach Station Approach by Lily Lovelace.

I like Station Approach by Lily Lovelace. This seems like beginning of one of those old black and white movies. Everything is of that time and place, the vintage cut of the dress, the floral fabric, the stack heels, her hair style, the suitcases, and the train. Black and white only adds to that vintage feeling. Do you think she might be going home for a holiday? The floral dress suggest happy anticipation. There’s a present tucked into her tote, the only modern looking element. Of course, if it were a movie, someone would disappear from the train and she would solve the murder before arrival…without even mussing her hair. Meanwhile, the composition places her exactly by the rule of fifths. The bottom of the train car is also two-fifths from the bottom, a sort of horizon. Continue reading

Second Life Photos: What I Like #12

Feed Your Creativity

Feed Your Creativity by Jewel Appletor aka Karalyn Hubbard

I like Feed Your Creativity by Jewel Appletor aka Karalyn Hubbard. Do I even have to say why? Her entire stream is filled with similar work, bringing together elements of Second Life® in shots that look like illustrations, but actually have very little post-processing.. While the subject is centered, it is not symmetrical, the flowers are in the lower left and upper right, framing her face. I just love everything about this picture. However, picking just one item from her stream was difficult. Her newest picture of birds is darling.

Oɴ Tᴏᴇs

I like On Toes by Tank Jarrod Holden.

I like On Toes by Tank Jarrod Holden. When I came across this photostream last night, he had only 109 followers. How can this be? His entire stream is filled with extraordinary landscapes. I probably should have chosen one of the landscapes, but this whimsically romantic picture just appealed to me.  It is simple, but effectively creates a mood and tells a story. The light from behind helps create another plane, the people in the foreground, the mid ground, and the background outside Continue reading