Gizza released a gorgeous formal gown at The Liaison Collaborative. It comes in rich jewel tones, deeply saturated colors such as this rich ruby red. It has a full, flowering skirt that falls deeply in the back. These skirts are sometimes controversial. Sometimes they are a failure, but when well done, they are beautiful, flashing your legs while still providing the length of formal wear. I kind of think we should name them by how well they work. Hi-lo or waterfall skirts if they work and mullet skirts if they do not.
How does it work? You go to the mainstore and click the redelivery terminal and the update will be sent to you. If you bought the multipack, you will get the whole shebang, the dynamic hands, the idle HUD, and a fifteen pose HUD of static poses. If you bought the mini packs 1, 2, or 3, you will get the dynamic hands, the idle HUD and the static poses that match the set you already bought. If you bought individual hands, you will get the hands and the pose you purchased. You can buy the idle animations separately. All come with stiletto nails to offer nail length/shape options. Continue reading →
Our web site was down. Somehow there was a virus in the database. Is that not the strangest thing? I don’t know if that would affect readers or not, but thankfully it’s been fixed.
I shot these pictures last week. I was still shocked by the Orwellian phrase “alternate facts” that in a healthy society would completely discredit the people who promote them. But, since people no longer distinguish between fact and opinion, alternate facts seem to be growing. Aldous Huxley, though, had the right idea. “Facts do not cease to exist because they are ignored.”
“When I despair, I remember that all through history the way of truth and love have always won. There have been tyrants and murderers, and for a time, they can seem invincible, but in the end, they always fall. Think of it–always”
My computer has been on sabbatical since December 18th. It took a trip to Cupertino to soak in the warmer weather and pick up a new logic board. Luckily, it returned last night just in time for me to show off this gorgeous dress from ISON before Collabor88 shimmies itself into a new monthly showcase on the 8th. Is this not lovely and it comes in five colors and I posed on that pose stand clicking the HUD through those colors over and over and over and over again trying to decide. It was impossible, they are all wonderful. So, I eenie-meenied my way to this lovely rose shade. I am decisive like that sometimes. Continue reading →
Rilke was right to note that the new year would be full of things that have never been. Every new year brings us innovation, discovery and change. In that, every new year brings us something to hope for despite looming dangers. Despite the many losses that have made 2016 a bitter and sorrowful year, I fear we may look back on it with longing as the Grand Panjandrum takes the oath he will break that very day and every day that follows.
Tomorrow will follow tomorrow and time goes forward inexorably. All we can do, then, as we teeter on the edge of the abyss, is resist despair, resist defeat and find sanctuary in community, in beauty, and in certain knowledge that the arc of the moral universe may have gotten a kink in it, but it still bends toward justice. Continue reading →
The damn lights have a mind of their own. I picked them up at Collabor88, the newest release from Maxi Gossamer and they just insist on going everywhere. They’re all in a tangle and I need to untangle them before I can decorate.
Of course, if you’re decorating the outside of your house, you need a smoking hot coat like this one from Mutresse. It comes with a color-change HUD that is stuffed with 20 colors that you can use to customize the turtleneck sweater, the zips, the collar, the lapel, the pockets and the jacket body and bodice. Such control gives you exactly what you want. It, too, is at Collabor88. Continue reading →
This Verushka dress from Liziaah is striking in its details – all very architectural and rigid, but intricate and complex – a baroque form of modernism.
It is also unusual in its construction. With the advent of mesh, we have lost the old form of system layers and while we often use appliers for lingerie or layering, there are few people making clothing using appliers and mesh pieces. Liziaah is one of those few. This dress is applied and the dreaded flap for the skirt is added, however, since this is mesh, not prim, it has not of the flaws of past. It conforms to movement, it reacts to the light the same as the applied textures. In the end, it makes a beautiful dress that is form-fitting in ways that mesh cannot achieve. Continue reading →