Tag Archives: Kokolores

I Am a Collabor88er

The world breaks everyone, and afterward, some are strong at the broken placesWow, this necklace and earrings from LaGyo at Collabor88 are gorgeous. So are the Lucky Chair nail appliers from Alaska Metro…go see if you can win.

The world breaks everyone, and afterward, some are strong at the broken placesBlueberry is peerless at texturing and bringing the sexy.
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There is no path

Within this world there is, indeed, no path! Even deep in this mountains I have entered, heart set, I seem to hear the deer cry!

Within this world
there is, indeed, no path!
Even deep in this mountains
I have entered, heart set,
I seem to hear the deer cry!

Fujiwara no Toshinari

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But I am done with apple-picking now.

and there may be two or three Apples I didn't pick upon some bough. But I am done with apple-picking now.

My long two-pointed ladder’s sticking through a tree
Toward heaven still,
And there’s a barrel that I didn’t fill
Beside it, and there may be two or three
Apples I didn’t pick upon some bough.
But I am done with apple-picking now….Robert Frost

and there may be two or three Apples I didn't pick upon some bough. But I am done with apple-picking now.

I fell in love with this coat from E-Clipse. I had gone to the main store to look for something else and this caught and kept my attention. It comes in several colors and the scarf is integrated into the jacket. The pants are an older pair from Baiastice that are worth keeping in your closet for mixing and matching.
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The Light at the End of the Tunnel Is a Train

The Light at the End of the Tunnel Is a Train

I went to Misfit Ghetto last night and saw this sign. It comes from Robert Lowell who said “The light at the end of the tunnel is just the light of an oncoming train.” Robert Lowell has been a favorite since I first discovered him in 7th grade. I was shy, a mumbler, constantly admonished to speak louder and my mother made me join the speech team. She believed in meeting challenges head on. I chose Extemporaneous Poetry as my specialty since I loved poetry and my mom made me memorize a poem a week. I figured I could get two for one out of the way.

The Light at the End of the Tunnel Is a Train

For my first competition I drew “For the Union Dead” by Robert Lowell. The imagery bowled me over and I fell in love with his way of writing, though the poem was not without its problems for my 7th grade self. It used the n-word once, in quotes to indicate that was not a word Lowell would have used. It was a word I had never used and was certainly not acceptable. I had thirty minutes to prepare an introduction and decide how to address this dilemma. I punted and inserted the word soldiers instead. You know, as an adult, I think the person who picked the poems that day probably had not read them.

The Light at the End of the Tunnel Is a Train

But also, from hindsight, I don’t mind, because that poem was thrilling to me. If you have seen the film Glory, you know the story memorialized in the statue he describes. But it was not the story, it was the images from phrases like his nose crawling like a snail on the aquarium glass and the yellow dinosaur steamshovels grunting as they work. Most of the poetry I had read (or my mom had chosen for me) had been prettier. She was a big Longfellow, Shelley and Shakespeare fan. Lowell was my introduction to a more robust kind of poetry. He felt rebellious and fierce and I gobbled him up. And yes, he was also bleak and grim and depressive – perfect for adolescence.
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Do Not Let Go

There are times in life when people must know when not to let go.

Most self-help gurus focus their efforts on getting people to let go. Even Disney got into the Let It Go game. And it is, in general, good advice. It’s very zen. But like most advice, it does not fit every situation and Terry Pratchett, that wonderful wizard of seeing the world differently also had some good advice, “There are times in life when people must know when not to let go. Balloons are designed to teach small children this.” I thought of that when I shot this picture of the Pixicat sphinxes in the Vespertine balloon. Well, one is desperately not letting go and let’s hope he never does.

There are times in life when people must know when not to let go.
JUMO just released a fun high-fashion corset and pants that I could not resist. It comes in gold, ruby, purple and teal as well and all are on marketplace. The complete set also includes shoes and jewelry, even a pearl monocle. You can wear it with long pants or with shorts, but the shorts are a system layer and there are no appliers for mesh bodies.
There are times in life when people must know when not to let go.
The Vespertine balloon is beautiful, but it does not come that size. It’s much smaller and I used up a lot of land impact making it larger than it was meant to be, but just for one picture, it was harmless. Frankly, it was the flowers that really went nuts, I kept drag copying those DIY flowers all over the place. In the end, 415 LI of flowers You know how you can just get in a rhythm and not pay attention and keep repeating what you are doing. Yeah, that happened.
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Hair Fair Designers — Leyla Flux

the smell of you

Self Portrait of Leyla Flux 2015

KoKoLoReS Skyler_001

KoKoLoReS Skyler for Hair Fair 2015

It’s Only Fashion: What’s the craziest thing you ever did in Second Life? Most exciting? Silliest? Is there a story you can share that captures your Second Life experience? 

Leyla Flux: Actually, I don’t think I ever did something really crazy in SL. I came here in 2009 for the premiere of my Machinima movie “Saving Grace” at the Machiniplex theatre, which was run by Sol Bartz, better known as Phil Overman Rice in the machinima world. My film was not a Second Life movie but made using the program Moviestorm and footage taken in the game X³ Terran Conflict, and I was asked to do an interview with Overman and the interested viewers at the venue. That was in February 2009. So I stood in front of the audience, knowing next to nothing about SL, in my noobie avatar. It was fun, and frightening at the same time!

Later that year, my film was shown at the Machinima Expo, by then I was already infected with the SL bug and looked much more stylish than in February. If you’re interested, you can watch “Saving Grace” on Vimeo, I’m still very proud of it and sometimes sad about moving away from making machinima, but it just happened. And yes, that time might have been the craziest I had in SL!

KoKoLoReS Silence_005

KoKoLoReS Silence with Glam Affair Skin, Adam & Eve Makeup, Zaara Earrings.

IOF: What drew you to designing hair? When did you start? What are some of the changes that were most significant for you?

LF: Once I found my feet in SL (with the help of Riott Viking and Lainy Voom, both machinimators and creators), I knew I wanted to make things. I started out with system layer clothes, built prim houses. Riott (she did skins) and I had a shop together, and it was going nicely. Then mesh came, everything changed, and I realised that if I wanted to create still, I needed to learn mesh. I admit I was pretty daunted by the idea (I never learned making my own sculpties), so Riott and I decided to give up our store. For a time, my blog was my only creative outlet, then I started to itch for doing something creative again and learned making poses, and finally dabbled in blender. I did tons of Youtube tutorials (thank you, Youtube!) and as I’ve always loved hair, I pretty soon was sure that I wanted to make hair. Cyclic Gearz helped me a lot – if you need blender lessons, she’s great! And around April 2014, I released my first hair.

KoKoLoReS Lilibeth_001

KoKoLoReS Lilibeth

IOF: How did you choose your store name? Does it have a special meaning for you?

LF: I’ve always loved the word “Kokolores”. To me, it’s nonsense in a positve sense, fun, light, entertaining, creative, colourful.

IOF: What is the most challenging part of being a creator in Second Life? What is most rewarding? 

LF: I strive to get better with everything I do, and I’m a perfectionist. Sometimes the real challenge is to let something go! And a big challenge also is that you’re not only a creator, but your own marketing force, too. So much depends on how you market your stuff. A picture can make or break an item. Packaging, making colour huds, doing marketplace all takes up so much time, time I’d rather spend making more hair!
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