I like 2017.0404 by Iruki Levee. Her control of color caught my eye first. There is the desaturated skin and background in shades of gray that make the bold reds, yellows, and blues pop. Then there is the beautiful free-form setting as though she is resting in a cloud, though clouds don’t show shadows (I’ve tried.) Then, the composition fully embraces the Fibonacci Spiral. It all comes together in an amazingly powerful photo. Continue reading →
I like Wandering World 484 by Nekonuko. The bottom of the windows fall exactly 2/5ths from the bottom, but the real magic in this picture is its impressionist painterly feeling created with an overlay that adds texture as well as making the lighting more complex and richer. The color story is beautiful, too, with the yellows to balance the blues.
Untitled by Kiiko.
I like Untitled by Kiiko. I love the interplay of shadow and light. The Rules of Thirds is used in bounding the dark right edge and the placement of the subject. The green and red are complementary colors. It’s well-composed in framing, color, and lighting. Continue reading →
I like Earth by Kate Bergdorf. I love the lighting, even though the sun is not directly visible, we can feel its heat and brilliance in the way it sets the grass alight. I have mentioned before that we unconsciously look for and identify geometric shapes. This beautiful landscape is filled with geometry and that gives it balance and makes our lizard brains happy. Whether Kate Bergdorf deliberately set out to capture all these shapes or whether her innate instinctual search for patterns guided her lens, I do not know. It still works. Continue reading →
I like Turn the Page by Nevereux. Page-turning is common enough that there are dozens of “Page Curl Effect” tutorials on the internet. What I like about this is the idea of turning from black and white to color and even more the use of a person to turn the page. The pose is active and dynamic, as though there was effort involved in turn the page. This was a great concept and brilliantly executed. Continue reading →
I love this picture from [sYs] Design. Yes, it’s a commercial photo, but that does not keep it from being a marvelous composition. It’s not just that the subject’s perfect placement following the Golden Ratio, but also the use of angles and curves. The curves of the hem, the sleeve caps, and the waist are echoed in her hair and the grass and tree. Her pose gives us angles at her hip and her elbow that juxtapose the angles of the collar and the juncture of the two hills. It is a beautiful composition while keeping it simple so that the focus is on the dress features. Continue reading →
I love the atmospheric noir sensibility in Skinny Nilla’s Berg photo. There is the dynamic created by the two people looking away from each other, It feels deliberate, not like two strangers passing on the street. Continue reading →
Dang, there is just too much great art from Second Life® folks on Flickr®. This is just from a few days and doesn’t even capture a quarter of the pictures I like.
And the stars were blue by Erika Xaron
Erika Xaron’sAnd the Stars Were Blueis successful on many levels. It creates a mood of introspection and solitude. Note that the horizon is placed according to the Rule of Thirds, but that the subject is not, placed instead on the fifth line. Often a picture will be more dynamic if you mix a third with a fifth rather than both on a third. The fifth is the outside limit for placing the subject in most circumstances unless you’re cropping part of the subject out of the picture. The other great compositional choice is the color overlay. Yellow and blue are opposites on the color wheel so work together beautifully. Continue reading →